13.9 x 11.4 cm

The hemispherical body of the vessel has a long spout. On the sides are two symmetrically arranged bird-shaped handle plates . The main grip plate shows two animals on either side of a stylized tree of life. The curved beaks are reminiscent of parrots. The punched circle motif dates the object to the early Islamic period.
Cosmetic mortars (Persian vasme-jush) were used to make cosmetics, primarily eye make-up from indigo. The product could be filled into small containers via the filigree spout.

26 x 35.5 cm

The tray is made of embossed sheet bronze. The inscription on the flat rim and the details of the embossed motifs are incised. The round medallion in the many-facetted recess is filled by a dragon. This motif is borrowed from Chinese mythology and was spread by the Mongols in the Middle East from the 13th century onwards. The inscription in Arabic script suggests blessings.

Ø 25 cm

The solid cast bronze bowl has engraved decoration on the rim and in the center of the vessel. On the rim are blessings in abstract Arabic script, alternating with medallions depicting birds. In the center, a harpy – a bird with a woman’s head – looks out at the viewer, also surrounded by an inscription. The dense depictions and inscription stand in stark contrast to the blank sides.

Donation R. Kirchhof, Bonn.

Height 22.5 cm, Ø 10 cm

The cast bronze incense burner consists of a container resting on three feet and is covered with an openwork hemisphere. The trace engraving and medallions with palmette and tendril motifs were probably added later.

6 x 5.8 cm

The solid bronze lock is cast in the shape of a bridled horse. Geometric notched patterns and turquoise inlays adorn the body. The bridle stands slightly proud and is clearly recognizable.
Mechanism, key and ring are missing. The ring was attached with a hinge between the hind legs; to engage it was locked into an opening at the back of the head. A horizontal slit in the front of the chest served as a keyhole.
The slightly curved forelegs contrast with the rigid hindquarters. They make the horse look as if starting into motion.

Ø 38 cm

The solid cauldron is cast in a bronze alloy. The characteristic dot and circle motif on the outside is found on cooking and eating utensils such as bowls and spoons from the 9th – 10th century. Smaller bowls, also made of cast bronze, are known from Nishapur. The size of the cauldron makes it a rare specimen.
The cauldron could be stored by hanging it from a ring. This allowed the motif on the outside, which covers the sides and bottom, to be shown to its full advantage.

Ø 7.5 cm, length 15 cm

The mirror has a handle and is covered on the back with a raised geometric pattern and medallions. The medallions depict front-facing heads with three-pointed caps. The front is smooth and was polished to a high gloss for reflection.